Forgive me, father

Forgive me, father, ’cause I have sinned. Somewhere, inside the house father is sleeping, alone. Mother is working nights. They meet only in the morning when father’s aftershave lingers on the white pillowcase. The lights are dimmed, and it is two in the morning, and I can’t find my sleep. The bed seems to be curved in such a way the only thing I could do is stare at the cheap fan flying ceaselessly around the room. As it moves the light goes on and off. Finally, I say to myself, the talk is over. My neighbor’s little kid has finally gone to sleep. Now I’m alone with my thoughts. And you. And the brassy NYC wallpaper I bought for two euros. I look around the room and everything seems in place. My desk sits silently, fully submerged into a bizarre game of shadow and light, nauseatingly keeping its mouth shut. It knows too much, I whisper to myself. Once, using a short pencil, I wrote on it I wanna have sex with you, then immediately wiped it. Then, I wrote I love you and I wanna live with you. After that I found a picture of you. You were half naked and I touched it so many times the colors started to fade your face and body distorted by my fingerprints. I cut the picture in little pieces and threw it into the toilet. I had to flush twice until all the pieces were dragged into that whirlpool of water. I felt so guilty when I kissed you for the first time, not because it felt wrong, but because I wanted to do it again and again until my lips would go numb. Strangely enough, I felt like something was wrong as if our lips didn’t fit one into the other. As if they resembled each other too well. And then we did it again, and for one moment I felt like father was too asleep to overhear us while we joined our lips in the silence of breathing. Father, forgive me, ’cause I have sinned. And you took my shirt off and I took your shirt off, and you said I like how your body resembles mine. A mirror wouldn’t do it any better. And I said no, and you said yes, we’ll have to do this sooner or later. And this call was so alluring I couldn’t resist, like the sinner for whom sin is no more than a drug. Be silent, I said, father is sleeping in the other room and I wouldn’t want to explain this to him. He wouldn’t understand it anyway.

The beast in the tall grass

Born in that summer morning, we both stood outside in the tall grass without the fear of snakes. And the apples grew yellow and red, and the sky was of a constant blue, cloudless. I could see the sweat running down your forehead and I wanted to wipe it off, but the world wouldn’t let me do it. At night, I would cry because I knew that later on, even yawning will have a dark significance. The body will grow big, and the mind will have to develop techniques to understand it. I wish I could say I love you. Because I do. But this word, love, comes from a place of confusion. And if I tell the truth that truth will consume me, and it will take you away from me. And I don’t want that. Let us remain and forget about the inevitable storm. Let us touch, but only in our minds, let us make love without the truth being present. You’ll lie down, and I’ll be right beside you and the sky will have a whole new meaning. Smile. The sun is just right. What shall we do, you ask, when grandfather or even father, shall find us sleeping in the tall grass, attached to each other in the fury of the evening? We’ll hear only the sound of the steps cutting through the yellowish grass and the sun and the sky. We’ll do nothing, I say. We’ll wait in silence, so as to hear the wrath of those steps as they walk away, shoes filled with knowledge. We’ll have, by then, nothing else but our love and our bodies attached to each other. By the time the steps have vanished our gods would have disappeared too. Father, how could it be? How come from a body like yours a beast like me could have risen? How could that architecture go wrong? By means of a thought? As I go home, taking after father’s steps I watch you sleeping covered in light. I know at home I’ll find this silence multiplied by ten and sprinkled with anger. Why did you keep this away from us? I was afraid, father, I’m afraid of what might come, of what will come. I’m afraid it’s nothing, and how could you live on nothing, how could you? Of all the people in this world, how could you, father?

Dear Friend (from the 5th of May, 2011)

Thank you for your last letter. I didn’t get it yet, but thank you anyway. I wonder. Why does it have to be like this? There are some laws, internal to the universe, which I simply cannot comprehend, let alone work/ function according to them. They say, one day, you’ll reach a point when everything will be clear. Yet I fear that day may come too late, at a point when I won’t be able to enjoy it. I do not wish to grow old and, a few seconds before I die, realize that everything has been in vain, and that everything stops there, in that realization, and that there is nothing else to look forward too. I couldn’t imagine a world without love, as I couldn’t imagine a world without beauty. So, I need to say this to you, dear friend. If you are indeed reading this and if you do have a sudden revelation while reading, don’t let that feeling go. You are special to me, and I wish you all the happiness the world could offer you. These words are not in vain. I know we pride ourselves with having one of the most sophisticated means of communication, language, but you need to know that words remain, and they will go deep, as deep as they can, and they will stay there for as long as our organic life shall permit. Words can fall in love, and you could fall in love with words too. They can seduce you, caress you, make love to you at night and before dawn. That is why I’m telling you this, dear friend, ’cause if they can love, they can also hate, they can also hurt you. But you already know these things, there’s no need for me to tell you that. I’m actually telling you this because I’ve tried it on my own skin. I fell in love with your words, and every night I pull those words to my chest as if they are alive. Yet, maybe they are. I’m sure they are. I need them to be alive. Otherwise, I couldn’t feel you as I do, breathing between the sheets.

Dear friend

Thank you, I’d say, for your last letter. I’m really glad for you and the things you have achieved. From your tone I understand that you are happy with everything at the moment, your new apartment, your new friend, she seems nice from what you’ve told me. I’ve been looking at that picture again, for hours on end; it’s the one on the white boat, with your sister and your mother, and the bluest ocean I have ever set my eyes on. I do miss the old times. Do you remember those grapes? We used to eat them in the evening, when the sun was just good. I know you’ll keep telling yourself that this can’t be, that this is just a text, and it has nothing to do with real life. Well, if you are reading this then know that I do love you, that this text is me, forced, shriveled into words as I am right now, but this is really me, trying to fit this page just like I try to fit a category others have made for me. So this letter must have a degree of immediacy so that when you read it you’ll feel like I’m standing right beside you and you’re trying to keep up with my hand, or I’m trying to keep up with your moving eyes. So that we’ll meet in this fatigue of language that gets me every time I try to write something for you. Really, you’re the only person I’m writing for. Sometimes I fear there’s nobody else out there and that I need to make you up out of the experiences I never had. Then I’ll have to make you out of the cup of coffee I had in the morning, and the short chats I have with my hairdresser, and those faces of those students and those people I see drowned into their thoughts, books, cups, hands held together. You’ll turn out to be many things when you’re actually one and you wear your cape with dignity. You know, that cape made out of the night and a garbage can, and the no-smoking sign. You look like a pineapple in it.
 
You’ve asked me about the angels and the saints. They’re really beautiful; otherwise I wouldn’t consider them angels and saints. One of them has these white wings, and (s)he sells flowers. I see him/her almost every morning. Then there’s the saint I don’t really know because I haven’t really seen him/her, only his/her shoes lined up, drying in the sun.
 
Things are good here, I’m happy, but you probably know that. I’m searching for new ways of telling you that I’m actually happy. So you need to be happy too. You must be. I refuse to think otherwise. You must be patient, you must love, and care, and do, and pray, because people will want you and you’ll live out of that want, and you’ll want them. You are born out of others’ wishes like you were born out of mine.
 

Bodies of fear

So he lights a cigarette. His lips curl around it, the firm grip of two yellowish fingers, and then he looks at me with a look that only a youngster can have. He’s innocent, I know, but his smile says otherwise.

Do you like me, he asks.

I am afraid of my own body, I tell him. I was taught to be afraid of my own body. My mother tied my ankles to the bed during the night, so that my hips won’t rub onto each other. I slept in sessions. Every fifteen minutes I woke up, sweating, my sides aching with that numb pain solitude brings to old people. In the morning she came. I could hear her footsteps, and then the door would open, and she came, and she untied me, and I would squirm between the sheets smelling of urine and sweat, and I would drag my knees to my chest like friends hugging each other after a long time, and I would talk to them while the pain subsided from my back. And I hoped. I cried over my knees and hoped that wings would burst out of my back, and I would be transformed into this sexless archangel. A renegade of the body, neither male, nor female, split but in one piece, so that I could see my mother’s face then, reddening with shame and my father throwing me out of the house saying I’m not his son anymore. I’d say I’d always wished to be a son but wasn’t able to, because this body is filled with shame. And you taught me that. So I hug my knees. I can’t hug those people I want to because this body won’t leave me alone. You can’t stop it mother. Tie my ankles to the bed. There’s a slippery slope to pleasure.

I do like you, I say.

Don’t tie my ankles to your bed. I want to feel good while I’m with you.

But this body you see, it won’t let me. Count my ribs, do what you want, just don’t think while doing it. A child’s game, one, two, three, going down, four, five, then stop, I’m afraid you won’t like me; you won’t like the rest of me. I’m already pushing against you as I try to count your ribs, one by one, with my mouth. One, two, three, I’m trying not to think, four, five, my ankles are taped to the bed, and my back aches, and wings burst out of your body and you fly.

Mother! Father! I need to tell you something.

I say between my teeth, sweating.

I slept with an angel last night.

And he was beautiful, and I was beautiful too.

There are no such things as monsters, they say, now go back to bed, they don’t hide under your bed; they don’t hide in the closet, go back to bed. How did he break loose? Go and tape him back to the bed. He fucked an angel all right, and the angel fucked him.

So I tape myself to the bed every night on my own, without my mother’s help, so that the angel might return.

To a dear friend at home

I didn’t get your last letter. You probably wrote a lot of interesting things in it, old things turned into new ones, marriages, deaths, lost friendships and found ones. All those things which make up a life. So, thank you, I needed all that. But, now, how could I tell you that I met nobody on the way, since our lives revolve around meeting people? And that I have no friends here, that I know nobody, and that I stay silent my entire life here. A sort of crust covers my lips in the morning, and sometimes my eyes. So this letter must sound joyful, it must have great things in it, discoveries, culture shocks, culinary adventures, and smiles, and sex with unknown boys in public bathrooms. So that life would sound grand over here, yes, you might think. It is, life is grand on the other side of the line ’cause it takes a lot of courage to cross the line and call things by their own name. Well, frankly, I can’t call things by their own names because I need to hide in order to be happy. So, yes, I do tell you I am happy, as much as a human being can be, and have lots of friends, and good-night-kisses, and a cute dog. That I have coffee at the coffee-shop in the singles’ area, and that I have a personal hairdresser who thinks I’m some sort of rock star. And that I go to read books in fancy, bohemian coffee shops with fake artists and poets, and walk the streets at night and go to obscure clubs with alternative guys who look good only when they are naked. So that you may feel jealous. That there are people who love me and because of that I feel secure. But, the truth is, I don’t. There are no such people. But you need to know that I am happy ’cause when I’m happy you’ll think that you can be happy too. That happiness is made for humans, and that it is not impossible to reach, that you can touch it. A possibility is better than nothing, don’t you think?

So I tell you that my life is great…

…except that from time to time I see saints and angels in other people, and in every smile the mysteriousness and beauty of nights spent together with love, and sweat.

the good I am

or the good I am not. despite the small, private success of a life as mine, I can be, and I am, defined as another mouth to be fed, and another soul to be nurtured. the cruel truth is that one always feels like a bad investment. unwrapping and waving the white flag of ideologies of greatness does not mean that, financially speaking, the investment is secured. there is no hedge fund when it comes to a life. they, meaning parents, grandparents, friends, and relatives, might never recover, buy back, the things that they have spent for one’s life. I’m afraid we are nature, and nature grows trees, and flowers, and apples, and nature can ruin and never be reborn, it can grow poison, it can do things. how can I trust the hands of such an unstable, sickly, beastly, thorn-growing nature as mine, the nature of a human being, the nature of things. such lives are spent by, lent to, a more general nature of things among which the human nature just might be the most beautiful and the most repulsive thing there is. no other thing can recall such powerfully contrasting, mind-blowing, oppositions. so ugly that it is beautiful. like bodies, flesh and glorious architecture. mouths to be fed, yet, like hopes, they sleep as soundly as ethereal creatures during the day. dormant, the promise is embedded into the walls of cells, so thin, so full of power, so much like dust.

be silent, pretend

for those who need to be silent in order to live, be silent, pretend. it will be the longest moment of your life, like when you’re sick and the pain and the fever won’t go away. you feel like grass grows faster. grass does grow under your bed, you just don’t know it. every morning your grandmother goes and cuts it with small scissors, those that are used to cut nails. be silent, don’t say the things they do not want to hear, there’s always some conspiracy thing going on. just say that you are happy even though what is happening around you is bound to make you unhappy. silence will give you peace, silence will make you love, silence will help you bear your solitude with pride. go find a burrow and shout your secret into it then cover it with mud. it will work for a few nights. you’ll have the chance to sleep alone because your secret will be too busy getting out of the burrow. what would you wish for your birthday, the burrow will ask. and I’ll whisper: I wish to know somebody that could see, and not be blind like me. and the burrow will laugh. I tricked you into it, the burrow will say. once you say your wish to me it will never happen. that’s the thing with burrows, you see, you wouldn’t want a secret to get out of the burrow. just like that wishes will never get out of the burrow. wars and words you cannot take back. so be silent, pretend.

The Invisible Man

men and women like fingerprints, the soft whisper and the moisture of love chat. you can measure them by the use of light and space inserted in between. I myself am one night and one day tall. the space between me an my birth can be measured precisely by the use of kilometers. to cry over the schizophrenic condition of our existence is like acknowledging the immediacy of hands and the lack of grasping claws that could exorcise pictures. I myself hold two selves. but both are invisible. I am the fingerprint. the presence of absence, the digital presence of experiences untold, and of hands not yet held. the noblest feeling of suffering slings and arrows of outrageous fortune. in their flight the slings and arrows prepare for the pain. the one second of flight is repayed by immeasurable pain.

take arms against me though I’m not the sea of troubles you are looking for.

the sleep is the heart-ache. my flesh is heir to you. I know I shouldn’t be looking at you. your body is the bare bodkin I’m afraid to use. after that there won’t be a point to return. what would be the point of returning.

be all my sins forgot. my flesh transparent, my bones of air, my love of nothing else but you. when I leave you alone, make me the invisible man. I know, you need your life. I promise, I shall forget about mine.