The measure of all things

Copyright ©2011 Barbara Parmet. All rights reserved.

Copyright ©2011 Barbara Parmet. All rights reserved.

The pain is dragging me back. Silence is replaced once more by that buzzing sound. Everything is coming back now, the heaviness inside my body, the division, mitosis, multiplicity, cause and effect, result, responsibility, the world where everything should make sense and where ultimately nothing makes sense. Time is accelerating. I can hear it. Time is a sequence of beeps, time is a sequence of heartbeats even in the absence of a heart. There are other hearts that measure time in the absence of one’s heart. Time, in here, in this carcass that the others call a human body, is a series of heartbeats, repetitive heartbeats that become non-repetitive once they are consumed, rendered non-repetitive by what happens in between them because what happens in between them is not repetitive, the world only spins forward. An irregularity in the heartbeat is a step closer to complete silence, called death. If only thoughts could make a sound, a sound of any kind just to keep the silence out while the body collapses within itself like a house of cards. The world is measured in heartbeats. Just a few more heartbeats and I’ll be there. With every beep I’m one step closer to you. How many heartbeats are there in an hour? This room is 45 beats long. It is big enough to host two people. This room has only one window. The light coming from the window is painful. The pain extends itself up to an infinite number of heartbeats. Even though it has to have an end, this pain is infinite, the pain that I have to endure in your absence. The pain becomes pain at the back of the skull and from there it radiates, it oozes like oil on the floor, like the echo of everything, the echo of the city as it was heard from…from…from. The word is there but I cannot take a hold of it. There was a house, and you were in it. Was it really you or was it only a myth? I wonder. Even wondering is painful. It’s like running in winter on an endless field and your lungs start to ache, and your eyes start to ache, and everything starts to ache, and your body is a sort of accumulation of pain and the promise of relief as soon as the field ends, and there you should stop for a second and maybe look back. But looking back would only remind you of that pain so you keep on going, there is more relief just behind this hill, just behind this mountain, an oasis. I stop. I know this wondering will only take me back to you, to a sort of you.

Your beautiful abomination

Don’t stop this movement, let it consume itself smoothly as it should, slowly, let it flow beautifully like the glorious flight of a bird, don’t let it fade, because if it fades then everything will be lost, including you, my love, and I don’t want to lose you, I don’t even want to imagine that, I don’t want to experience it even if it’s for the sake of experience, let me stay here with you, five more minutes, five more minutes and I’ll go, I’ll leave my thoughts with you, I’ll leave my love with you, let this presence of mine linger a bit more around you. The car speeds down the highway, I hold my hand on you thigh, trying to feel the fullness of it, the things that make it the thigh of a human being. You’re there, and I want to make sure of that, I want to make sure that this is not just my lust gone mad, a hallucination which has occupied my mind for so long that I started to perceive it as a real thing. You’re squeezing too hard, you say, it hurts. I’m sorry, I say, and try to relax my fingers, make you feel comfortable with me around you. I’ve missed you so much, I say, even though we haven’t seen each other before this. You smile, I could feel the hesitation in you though I know it is a false hesitation, you’ve told me. Yes, you say, this is really strange, how can you miss something you haven’t seen before?
That’s true, how is that possible, since that which you miss has not occupied any space in your life then how can you even notice its disappearance?
But that does not matter now, I tell him, just give me a quick kiss. I lean over the chair and feel his wet lips on mine. That was so good, I tell him, could I have another one? Just be careful, he says, these kind of things can be dangerous while driving. Trust me, I tell him and lean over the chair again, this time with a smile, my eyes locked on the road. You reach out, your hand still timid, still the hand of a boy who’s too afraid to touch somebody other than himself, your flesh prepared to draw back suddenly like a scared animal. I can feel the warmth of your skin on my thigh, then the tightness, the pressure of your palm. A wave of tremors goes through my muscles. I take your hand in mine and kiss it as softly as I could then place it back gently on my thigh.
Don’t stop this flight, the emptiness, the great pleasure of finding you beside me, available, there, in that place, the closest place on Earth in this distance that stands between our two bodies, here, inside, there is nothing outside. Let me hold you. And you let me hold you, smiling, finally acknowledging my presence. I’m here to stay, I tell him. I know, he says.
Among these few lines there is a mistake, a word you thought of as something insignificant. It’s not. You’ll try to find it but it’s not there. My love, in this dialogue of ours we are both losing, it’s a lost bet since this love of ours is just the glorious architecture of my mind. Observe the lack of details, observe how everything has been reduced to the essential, how there is nothing else outside, how there are no other people, how it never rains, how it is never sunny, how everything seems like a limbo. There are no other human beings except what goes through my mind, except who goes through my mind, except you. And I’m so afraid, my love, afraid that we won’t be able to hold this world together by ourselves. I’m afraid that I won’t be strong enough to do it.
Could we at least try it, he says.
Yes, we can try it. Tell me what I have to do, and I’ll do it, even if it’s the most difficult thing in the world.
First, he says, act as if you love me.
I don’t need to act in order to do that, I tell him, I’ll just be myself, that will be enough.
No, he says, do as I tell you, act as if you love me, because then afterwards we’ll try something else.
What do I need to do in order to complete this request of yours, I ask him.
You have to take me out, buy me presents, take showers with me, and bubble baths, wear my shirts as you go to sleep and when I’ll ask why you’re doing that you’ll tell me that you like to feel my scent during the night when you suddenly wake up out of a heavy dream. Hug me and kiss me when my friends are around, make sure I’m sitting comfortably when we’re out, make space for me if I need more space, order for me, pay for me, keep your knee close to mine when we’re sitting close to each other, hold my hand, try to keep physical contact with me whenever you have the chance, smile every time you look at me and use that sweet face of yours, hold my jacket, kiss me on the lips whenever we say goodbye, act as if you’re the man when my father or my mother is present, protect me, let me fall asleep on your shoulder, let me cry on your shoulder every time I feel like it, take me wherever I want to go. Demonstrate that you love me by acting as if you love me.
I did all of these. Then went back to him on my knees.
What should I do now, I asked him.
You’ll have to do everything else, he told me, don’t take me out, don’t buy me presents, don’t take showers with me, don’t wear my shirts, don’t hug me and don’t kiss me when my friends are around, don’t make sure I’m sitting comfortably, don’t make space for me, don’t order for me, don’t pay for me, don’t keep your knee close to mine, don’t hold my hand. Can you still love me? Do you still love me?
Of course I do. But how will you know?
I’ll now. Even in their absence, I’ll know that you love me. You see, in this love of ours you have to get used to this, you have to get used to presence and absence, to lying and telling the truth, to hiding it and showing it.
How will I be able to do that?
It’s not without difficulty, he says, but you’ll be able to do it, because you’ll know, you’ll know that presence is as good as absence, and absence is as good as presence, that lying is as truthful as telling the truth, and that hiding it from the others is as good as showing it. This love of ours plays a double game. We’ll need to invent our own language, play with words, call things by other names, and in the meantime rage will grow furiously like poisonous herbs do, rage against everything else and everyone else, and in this rage you’ll find yourself so alone that you’ll get used to it, consider it natural, a thing for you to keep and nurture. You’ll find it funny, adorable, and in this rage you’ll wake up every morning.
Call me Rage, in case you need a name for me. Call me Fear, call me yours.
I am my own Rage, I am my own Fear.
Rage has a thing for you, my love, Fear has a thing for both of us.
There’s the fear of being caught, the fear of being blamed for this love of ours, the fear that there have been things unknown to us, refused to us just because of this love of ours, the fear of dying alone, the fear of waking up alone and realizing this has been only a dream, the fear that dreams may never come, the fear that a dream is just a dream and nothing more, the fear that you have found somebody else, the fear of the other body, the other man, the other woman, the fear of confusion, the fear of not having a clue, the fear that the war is already lost to both of us.
My name is Rage. Boiling Rage. My name is Rage Against Everything Else That Is Not You. My Rage is directed against those things which try to keep me away from you. My Rage is directed against the thoughts that make you appear putrid and lost, my rage is directed against those nights in which I have to go to bed alone, those mornings in which I find myself alone in bed, those mornings in which I have to drink my coffee alone. My Rage is directed against the bitterness of solitude.
My love, he says, rage is everywhere, Rage is here with me. I am Fear. Love me.
Rage and Fear got together and made love to each other. Unfortunately, neither Fear, nor Rage could have children, and so they were left alone with themselves. Their child could have been an abomination, and I myself would be lost for words trying to describe that child, just because my words couldn’t measure the beauty of that child, the fairness, and the happiness that the child brought to both Rage and Fear. It was the most beautiful Abomination because it was born out of love and other stories, which you surely know by now, they say that everything that comes out of love is beautiful, or at least should be considered beautiful.
My name is Abomination. I have taken up many forms up until now except this form: that of a child born out of love. I was born out of Rage and out of Fear. Love me. Try to love me. Act as if you could love me. Be silent, pretend. Because if you act as if you love me then I’ll know that deep down there is at least the desire to accept me for who I truly am, your beautiful Abomination.

The things you don’t know

What you don’t know is that I go to bed barefooted and when I step on the cold pavement I leave traces. What you fail to understand is that your feet leave the same traces and that they linger there for a few seconds, just like mine do. You don’t know that I’m cold in the morning, just like you are when you’re afraid to leave your warm bed. You don’t know I’m thirsty, that I eat things to stay alive. You don’t know I breathe the way you do, that I have lungs. You don’t know I like the sun and the stars, just like you do when you wake up in the morning and when you go to sleep. You don’t know I can feel warmth just like you do, and you don’t know I use words to say things to others, you don’t know that I like to play games. You don’t know that I think, and that at one point things make perfect sense to me, just like they do for you. You don’t know I sleep, how I sleep, they way I breathe during the night, the things I dream of. You don’t know that words can hurt me, just like they can hurt you. And you don’t know that I can feel the edges of a book, the edges of a table, a chair, and a spoon. You don’t know how come oranges remind me of Christmas. You don’t know I can feel the smell of autumn even before it arrives. You don’t know I fall in love with people I see on the streets, and you don’t know I fall in love with characters I find in books. You don’t know so many things, and still…I wonder whether you wonder there is still a piece of me in the things you already know about me.

Two worlds, me and you

She said to me, would you like that, would you like to be like all the others, would you like to have that? I thought, my love, I haven’t been blessed like you did, with beauty and looks, and all the rest, I haven’t been blessed with an exceptional ear for the music that sets the world into rhythm, I haven’t been blessed with the hand of a genius writer. She said you still don’t know what you have. You’ll probably realize it later. I knew she said that because somehow she felt the growing distance between us. It was like saying that I will surely realize it later but she won’t be around to see that. And she wasn’t around. I knew she won’t be. And then we said goodbye because there was somebody else waiting for her at the entrance. She said we’ll keep in touch, and we did, yet I was the only one trying to reach her. Anyways, she was too good to be true. She found loving arms somewhere else, and then somewhere else, and she never came back. She once told me she will always love me. Maybe she still loves me. She disappeared, just like that, to wake up in another man’s warm bed. Why are beds warm? Today my bed is cold. The world is filled with cold beds, one sided beds, undisturbed on the other side, huge windows and closed doors. Today my bed resembles my cold, one-sided heart.

We haven’t been blessed, my love, not like that. We have been blessed with fear.

Have you met him before? Have you seen him before? Father was furious now. No, I said, I had not seen him before, yet I felt like I knew him for ages. Don’t you find that strange? Don’t you think there had been a connection between the two of you? How come you saw him and instantly fell in love with him? The mind forgets but the heart never forgets.

The world is not as you thought of it, Father. There is no happiness among us unless we do what we want and our will is to find that happiness and consume it as soon as possible. Life does not follow intricate plots with mysterious people watching us, their eyes glistening in the dark on badly lit streets. There are no faceless people unless we pathologically fall in love with them. We do not travel to foreign cities to have intricate relationships with strangers. Here, angels appear unless we want them to appear. The instant we hold between the fingers is as elusive as light.

Still, there is no reason for you to find love and affection into the arms of another man, that is against everything we have fought for, everything we believe in. The future will be empty because of you. Father kept talking saying that it is a vice against family values but as he talked this shadow crept over his shoulders covering him.

I don’t need you, Father. And he fell silent.

I have come this far, I won’t go back.

Something about happiness

This morning I woke up thinking that, in fact, there is no truth in the already well-known idea that every human being is beautiful in its own way. The truth is, I think, that every human being is beautiful in all the possible ways because each of them bears the potentiality of doing something beautiful (let’s face it, we are capable of great things when we’re passionate about something, Lincoln for instance). Anyways, some of us sing (badly, while under the shower), some of us paint, some of us write, and some of us are just beautiful. We manifest beauty. And well, here’s to beauty…and happiness.

P.S. I wrote this while in Reggio Emilia. If you were there, this is about you (yes, you).

The empire no-more

You need a certain tone to talk about this. Sit on a desk if you have to, in front of an imaginary sea of students, your feet swinging like those of a child licking a lollipop. You are the professor, that means you know things, you’ve spent more than fifteen hours a day reading stuff and trying to write about them, make them understandable for the unripe minds of future generations. Emphatically, you’ll raise your voice and say that empires do fall, oh, they do, oh, a most unfortunate condition for any type of societal construct, actually, a most unfortunate condition for any type of pride there is. At this point, please notice that your students stand frozen looking at you, wondering whether you’ve gone mad or it is only a transitory moment of rebellion against everything, the state especially, politics and morality, and all those boring things that make a life complicated. Some of them will rejoice because, at last, they found a leader for their youthful hipsterism. Why do they fall, professor, why do empires fall? Because some of us get creative, you’ll say after a dramatic pause, and while waiting for your students to write down this immense idea. There are norms, you’ll say, norms to which some of us won’t comply, or can’t comply. Roles that some of us shall refuse to perform. Oh, how grand you’ll sound, but only in your mind. Your students will laugh, though not in your presence, only then, when they’ll see your humble figure haunting the dark corners of an obscure public library. Later, they’ll say it was an attack against same-sex marriages that lead the world to infertility and empty wombs. Oh, look how the empire is crumbling! You’ll die in the meantime, professor, and your students will never know what you meant. What a pity, and a most unfortunate condition that is…

The Merry Christmas

I haven’t thought a lot about this though I must admit that there have been a few days since I said to myself that I should write at least something for the coming holidays. Christmas has never been magical for me although when I was little I dreamed of great things happening on Christmas. I believe Christmas is all about family and nostalgia. I know, this might sound pathetic, but Christmas is a holiday of change which produces great doses of longing for something which has already passed, be it childhood, a dead dog, or a dead cat, an absent family member etc. It is the day when all these things come back despite the fact that you have to live the rest of your life with those things, Christmas is when they are most painful. It is no wonder that suicide rates go up on this time of the year. The economic crisis is another thing that comes back on this time of the year. But what else is Christmas beside politics and consumerism, and uneven development?

Yes, right, hope. The pagans used to bring fir trees into their houses because they thought that this is the way to keep life from being killed by the coldness of snow. Always green, fir trees became to symbolize life itself. The custom was later appropriated by the Christians, and thus the fir-tree became the Christmas tree. Take that, you pagan pagans!

So, during this time of the year, the hope rates also go up. Can you feel the joy?! I don’t, but anyways, I’ll have to live with that.

And another thing. Do you remember those things that you promised yourself you would do at the end of 2009? I said I was going to lose weight, get some abs, be happy etc. Well, take a look back and think of the things that you have fulfilled during 2010. Personally, I did absolutely nothing, and here I am at the end of 2010.

The solution?! Yes, stop making plans, see how it goes. I’ll meet you at the end of 2011.

Happy Holidays!

The Baptiser

His left shoe got stuck. The humid leather refused to let go. So he sat on the rocky shore of the river and pulled the shoe with both hands until it gave in. He placed the shoe symmetrically next to the other one and looked at them with a boyish pride. Then watched as the river went like a snake between the sharp corners of a bare mountain. It was a sunless day. Still, it was a promising day, he had thought. Let yesterday die with its shameful face, he said to himself. That morning had to be a blessing. On his way to the waiting spot he met a very young fellow with a handsome face and such apparitions were rare except those people who stopped their cars and took pictures of him. This young fellow did not have a camera and was wearing a rather fancy suit. The only strange thing was that he had a little notebook and took notes. So he must have been one of those sent to test his faith or to see if he was still doing his job. He works in mysterious ways. The people with the cameras were also testing his faith. Each time they came he could barely stop himself from swearing and doing obscene gestures with his hands. But good-looking fellows were a good sign.

The greenish water shyly caressed his toes. It was cold as ice. And smelly too. But suffering is a virtue of the flesh, just like pleasure. Still, pleasure has nothing to do with it, at least not here, not now. A few meters away the mouths of three sewers opened hungrily. A guardian at the gates of an unknown hell tied together with an endless highway. People in cars coming and going.

Today is the day. The water is so cold.

He forgot his stick on the shore. He went back to get it. Then resumed his position, ankles completely submerged in the slimy water. He could see his toes from time to time. And feel the numbing sensation of cold. So he waited for somebody to come and ask for his services.

And then the day drew to an end. The next morning the young fellow came again and took notes in his little notebook. He wore a different shirt but the same fancy suit. Then another day ended and the next morning the same fancy suit took notes. And every morning the same thing. He must have been a customer.

Then he asked the fancy suit what his name was and his name was Ycnaf Tius. And what kind of name is that. It was his father’s name and the name of his son and the name of his future grandchildren. And the name of his wife was also Ycnaf Tius. And how do you call your city? Horse, Ycnaf Tius replied. And every object bears this name, horse. And how do you say ‘I go to sleep every night’? And Ycnaf Tius said ‘I go to horse every horse’. Linguists were working day and night to simplify the vocabulary and the syntax so lately everything was horse, horse, horse. ‘I go to sleep every night’ becomes ‘horse horse horse horse horse horse’. And so horse (on) and so horse (forth). Et horse (etcetera).

Would you like to be baptised? He asked Ycnaf Tius.

Horse horse horse horse horse horse. Ycnaf Tius replied.

I said would you like to be baptised into the true faith? He asked Ycnaf Tius again.

Horse horse horse! Ycnaf Tius replied and left. He never came back. Other people came instead of him and they all spoke the same language. Kids laughed at him, pointing and saying ‘horse horse horse horse horse!’ He took every horse in silence pretending not to hear. By night groups of horses attacked him, by day his vision was flooded with white doves.

People came and questioned him but he refused to answer. He kept repeating the word ‘dove’.

Dove dove dove, dove dove dove dove dove dove dove dove dove dove!

The Gargoyle

The coolness of the wall pierced through his shirt. People were screaming and running, hunted by the mortifying silence of a city with too many tall buildings. One of them followed his steps and sat beside him, leaned against his shoulder in that murky corner, then left. They often lose interest and leave, he said to himself.

People came to him in silence and went away screaming.

For so many times his mother told him not to stay alone in silence.

Silence will kill you, she would say.

She knit a hat with a little bell on it. Each movement was a sound until he couldn’t make the difference between movement and sound.

He would sound not walk, making sounds was like walking.

But then the silence grew stronger and the bell died away. Walking became walking again, rare, a language of signs. His fingernails grew long and turned ash gray. His mother knit another bell.

The radio caterwauled: cathedrals in town were inaugurating new statues and artist were currently working on new ones, more realistic than the old ones. Mother was knitting a string of little bells.

One day, an artist came to visit him and was utterly fascinated by the perfection of his body.

Then each shirt, each pair of trousers had little bells on them but silence grew mightier than ever.

That cursed artist took him away and the bells were left alone. He never went back home because he couldn’t. The artist had told him to stay still and so he sat, looking over this city with too many tall buildings.

One of my ships of death

I was a lot younger when I wrote this poem. At this moment, when I read it again it seems so good. This happens probably because time has passed between the moment of production and the moment of (re)reading. This aspect has always fascinated me: along with the dust that accompanies time there is also a movement at the level of perception. The poem doesn’t seem to be written by my own hand and when I try to experience a sensation of alienation the pleasure of reading is even greater. If I remember well, my ‘ship of death’ was inspired by the reading of Lawrence’s ‘ship of death’ and now I can really sense the influence. It appears that time does not only bring dust, but also pleasure. However, this pleasure is just something temporary because the passing of time is always painful, even inevitably painful. Pleasure follows detachment from this process of passage. Nevertheless, detachment is particularly difficult. Difficult but not impossible. The usage of irony could be a verisimilar solution. Here is the poem I wrote approximately 2 years ago (it may sound pathetic but I assume the risks implied by it):

in life’s autumn

when the eyes turn to gold

towards oblivion

the horizon fills its arms

with dark waters of tears

when the sands of memory

stand still

and no wind disturbs

their mortal immobility

a ship rests…

 

it has no sloping masts

no dipping prow

it is a tiny ship

like a nutshell

which you could keep

in your pocket

hidden from the eyes

of those who walk the ignorance

into nights of cold

(yes, your parents do that too)

 

it has little space inside

as little as the word death

it is all you need

when the dancing days are gone

you shall not need elegant clothing

nor fancy buttons for your shirt

nor shoes that shine in the moonlight

nor flamboyant haircuts

but just a white blanket

to cover your soul

it is everything that you have

everything that you need…

 

it has a match to keep you warm

a book that tells the longest story

to keep you entertained

a piece of paper to catch glimpses

of the whisper of the wind

 

don’t be angry on those who built the ship

it’s like blaming the dead

the price of your life did not cover

first-class furniture and lcd screens

it is a small ship

it contains everything you placed in it

including food that has gone off

 

it is your fault

nature’s fault you think

there are things in the ship that you could put

but impossible to take out

the ship contains everything

even worthless things

like your mom’s voice that says

that you should dress properly

in the spring…

 

you’ll be amazed

you’ll see kings and queens

descend from luxurious dens

to little ships like nutshells

you’ll see yourself floating

towards oblivion

you’ll wonder dreadfully

how could you descend

from luxurious dens

to little ships like nutshells

 

don’t try to beckon the ship

or try to make another ship

out of a rope and a tree

only when the sands are silent

your ship shall come

and it will be at that moment

the most beautiful thing

that your eyes have seen…