Ripe is the first novel I ever wrote. Though I call it a novel only for the sake of a generic, if not childish, necessity. I started writing the first part in 2009 when I had just completed my undergraduate studies and spent the whole summer reading and writing. A couple of years later I wrote the second part. Then I thought the endeavor wouldn’t be complete without a third part. Since it’s a novel about the painful process of acquiring maturity and of discovering oneself I thought a third part would close the circle, and close it for good.
Ripe is also a novel about the nature of light. I’ve always been fascinated with the textures of light, its whims, the way it often appears as a mood rather than a stream of rays. But more specifically, it’s a novel about how different people have different light around them. Some of my characters appear in a golden light and some of them have no light at all. There are mirrors and beds around these characters, windows, closets, a mental geography that has stayed with my writing and with me since then.
There’s no structure to this novel, it does not follow a narrative except the one you could deduce from what’s being said. The structure is the novel itself, there’s no chronological order but episodes coming from different moments of my life. Ripe is an end in itself, an ax digging into the trunk of a fallen tree. It’s an attempt to reconstruct that tree, to bring it back to the exploding leaf buds, the greenery of Spring, and to force it back into that final admit of defeat, the falling.
Ripe is a novel that must be read, I think, in small doses because it might smell like gasoline, or like fresh paint. And like all of my novels, this one is dedicated to a person I can’t name directly but who has haunted my writings, whatever shape they take. All of my novels, in fact, are a prolonged apology to that particular person.
You can download the full version, for free, here: ripe-a-novel-in-three-parts