the silence of blood

the silence of blood is like going backwards in a song. the silence of steps resembles two hands placed side by side. blood is not gushing forth, blood like a friend, the voice of a soprano heard from the outside. others are full of expectations. even love is expected to gush forth. just like blood love shall not gush forth. love is swallowed and there’s no pride in it. so don’t march. there’s no glory in it if it doesn’t gush forth. because love has nothing to do with blood.

and I’m so afraid. I’m afraid that if I love you blood will gush forth. so I’ll have to look somewhere else when you pass by me. I’ll have to be one with the silence of blood that doesn’t gush forth and I’ll listen to our song backwards again. and think that you are there.

out of this I shall rise like a saint. my feet as dense as the water though solitude won’t make you virtuous like a well-kept virgin. solitude grows with the stillness of the idle. and tomorrow you will push me into a corner of the eye. and I’ll place my hands side by side begging for love to gush forth. and you will be helped by other thoughts to pass by me.

two bodies

my two bodies thrown against the sky, one deleted of sins, one sinful, one deleted, one in full youth, it’s this doubleness that makes me furious, yes, the door can’t be opened both ways, you are either in or out. I hold the door locked with my hands. I did use my mother’s nail polish. she will look at me with one eye, the other one closed. it’s this doubleness I hate. why can’t I be one for all of you, including me.

I always ask myself which of the two bodies I like most. I say that one, with my mouth half-opened, while the other half stands closed, stubbornly. at birth the priest tied my mouth on that side. but does that body like me. the two bodies do not know as I speak too slow, feebly the words refuse to come out of my mouth. I use thoughts instead of words.

but thoughts cannot be heard.

two bodies thrown against the earth. gods tricked me into pulling them down, like wallpapers. but I still like the other body, not this one, the one you have given me. its architecture is the symmetry of love.

thoughts cannot be heard.

still – volcano – body. I have seen this body differently.

thisbodynobody. thisbodynobody.

Young and Lost

I’m young and lost. Twenty-two years ago I was born on a rainy Sunday, and that’s all I can remember. It is because I’ve lost my memory. I found my head tied with a white bandage, my body secluded into a room filled with white sheets and the smell of chloroform. Every night I go to bed with chloroformed nurses, have bits and pieces of chloroformed sleep, cardboard boxes with nightmares on which the word fragile is written. My nightmares are fragile because they stink. I never find out the source of that stench. One of the nurses told me dead bodies smell like the burnt feathers of an angel’s wing. Where could I find one of these angels, I asked the nurse, and she did not reply. The next day she told me, you wanna see angels, keep onto your life with those teeth. What about the hands? Aren’t they for holding onto something? I have two hands, but what shall I do with them, memories don’t reach out of the darkness with their cancerous pseudopod. I have even stopped trying because darkness is like nausea. No, she said, hands are not for that. Nobody came to visit me today, but I know that tomorrow will be the same scenario: mothers and fathers will come to my bed and caress my forehead and say nice things, but at the same time they will be far away while doing that, their mouths tied, their eyes covered with their hands. They can’t see me now because I got lost into the yellow paper of letters, my visage distorted in words, tears and sorrows turned into verbs, and nouns and adjectives. How shall I say this to you? I don’t remember what happened to me yesterday. It is the war they say, but I don’t trust words because I got lost in these words.

Another mother came in today, and I said hello, who are you, and she said I am your mother. Another father came in today, and I said hello, and he said hello son. I didn’t trust him because old men use the word son loosely. Another man said he was my brother, but I couldn’t trust him either, maybe we were brothers just like that, linguistically. Then nobody came anymore and I tried once more to thrust my palms forward hoping to grasp just for one second one of those memories left in the dark. When you are under the water you can’t get hold of the sky, the clouds. So you breathe hoping that one morning you’ll weak up a fish. You see, I’m afraid that is not possible. I remember words but I can’t remember those moments in which certain words were uttered. Then I would know that mother and father once pertained to the words we associate with those human beings that had participated in pulling this rotten bloodline open for multiplicity.

A very young doctor came in today, he was very handsome. He checked my lungs to see if there was something wrong. He said there was nothing wrong. I asked him, what are lungs for, and he said lungs are for breathing. The nurse told me that last night I had one of my fragile nightmares again because I was thrusting my hands forward in my sleep. I said to her that I wanted to get my memories back. She said memories don’t have hands. Why do we have hands, nurse? Not to have wings she said.

Then the next day there was another stream of mothers and fathers and brothers. They told me that their presence might help my memories grow hands.

That is not possible I said, memories do not have hands. And besides, they are all made out of words.

You see, memories do not cling to words. Memories are not like words, they don’t get stuck to the stream of air that comes out of your lungs. You see, words are stupid, they think that getting out is a form of redemption. They don’t know that the instant they go through the mouth they evaporate into thin air. There are cemeteries of words out there.

My Second Letter to an Absent friend

I do, it is true, it is as you say. I live by my artless art of fiction when I fictionalize you, because next time we meet I’ll try, as much as I could, to live by the things already settled in words written during the morning. You see, mornings are not always about coffee, they’re also about fiction because since you do not exist what else can I do but seek you in the most absurd places. On top of the fridge, I think it’s the most obvious place. Then, when you sit with me at the table I know for sure you do not exist because there is only one cup, and one spoon, and only one croissant, half eaten. I try to eat the other half but I can’t because I know your lips have touched it and if I were to feel you scent on it then I’ll know for sure you do not exist. This morning I noticed something very strange: the croissant was missing and the cup of coffee was empty. I checked it twice to avoid one of my existential fears. I forgot to tell you about it, about this existential fear of mine. I’m afraid that at one moment somebody is going to come to me and say that I haven’t done a thing that I already did, and I won’t be sure whether I had done it or not. So then I’ll be shocked because I’ll lack the possibility of saying that I’m sure I did it, because I checked it twice. When I switch the light off in order to go to bed I check every room twice to see if there aren’t any burning candles even though I know there are no candles in the house. So the croissant was missing, and you were missing too. You weren’t on top of the fridge. I even tried the restroom to see if you haven’t drowned into the toilet. I checked it twice. And I panicked because you did not leave any note on the fridge. I tried to fictionalize this disappearance but it didn’t work, so I tried to fictionalize you again but you appeared to have blue eyes and not yellow as you used to. I checked every corner of the house but you weren’t there. Then, something even weirder happened. Somebody else got into the house and I tried to talk to him but he wouldn’t listen. He looked right through me like I didn’t exist. I noticed some similarities between you and him, the same hair, almost the same clothes, except the eyes. He had blue eyes, you have yellow eyes.

He even sat at your computer and started writing something which I couldn’t understand, something about an absent friend with yellow eyes. So I left him alone and went to the restroom to wash my face hoping that this illusion would soon vanish and you could come back. But as I looked into the mirror, as normal people usually do, I noticed that my eyes had suddenly changed, and they were yellow. Yes, I’m sure of it. I checked it. Twice.

 

To the South Pole, (a short story about the coldness of ideas)

When an idea exclusively occupies the mind it is transformed into an actual physical or mental state. (Swami Vivekananda)

THE RADIO caterwauled in the alabaster room sounding like faraway shrieks into the dry sepulchre silence: “men wanted for hazardous journey, small wages, bitter cold, long moths of winter, constant danger, safe return doubtful, honour and recognition in case of success.”
He opened his eyes as the Arctic air pierced his nostrils. The white blanket of the bed surrounded his body like a placenta.
‘Awakening’, he thought ‘moment of all disasters, mornings mouth but bad images.’
Limbs crack like the branches of an old tree. The ceiling looked icy as if the immense sky itself revealed its face. The pendulum of a huge rococo clock knelled like heart beats under a pack of ice.
He stood up. A tall young man in his late twenties. A tumbled beauty with basilisk eyes deepened in the skull, the effects of innumerable sleepless nights.
The radio caterwauled again like a kvetching: “it is a beautiful December morning with lots of snow and a front of cold air coming from the south. This is radio Polheim and we invite you to spend the day with the best music in the world!”
He drew back his head and gazed far from beneath his veiled eyelids. The window was half opened. The cold settled like dust in the corners of the room. Condensed wind fiddled with the curtains. A warm heavy sigh of unwelcome air came through the half opened door and curled behind the door knob. He paused by the door and looked over the long hall. A tranquil brightness sparkled in his eyes. The end of the hall seemed out of reach but a hypnotic hundred headed whiteness summoned him from the gliding door. All the other doors were closed.
‘Nobody’ he thought ‘Pan’s sleep, a faunal morning.’
He stepped swiftly forward like a fox. One of the doors opened with a painful creak. He halted. A breath of hot air filled the hall touching his frozen cheeks. Gazed back to the end of the hall: cold, vast, incandescent: form of forms, a delight to the human senses. Then a voice, bitter toned and sustained.
‘Are you up? Scott! Come here you mug!’
An equine face with slanted glasses, thick hair and scraggy neck appeared in the half opened doorway.
‘Good morning Amundsen’ Scott said gloomily while entering the room. Gelid light and air filled the atmosphere. Made him feel a bit peckish. A wave of lethargy, sleeping sickness in the air.
‘It’s noon and you still come to me for wisdom Odin you mug!’ Amundsen stopped and looked attentively at the pale face framed in wavy black hair. ‘You’ll have to pay this time, but I’m afraid your eyes won’t do anymore Odin. Look at them mug! They’re all shattered for this world but good for something else, hm? What you say, Odin?’Amundsen swallowed his words like a hungry dog. Amundsen took out and devoured a cigarette and the heat mesmerised with time in a grungy dance.
‘You know who the apple of my eye is!’ Scott exclaimed with a weak joy.
Amundsen’s mandibles trembled with rage as if a silent scream wanted to get out of his throat. His eyes went around the room searching for something specific but as he could not find it returned to the man standing in front of him.
‘You must not go! You are not yet prepared! Oh, if youth but knew the greatest thing – the way in which you are equipped – the way in which every difficulty is foreseen, and precautions taken for meeting or avoiding it.’ He stopped and inhaled through his arched nostrils. ‘Victory awaits him who has everything in order – luck, people call it!’
Scott frowned. The hundred headed whiteness summoned him. All doors were closed.
‘Everything is settled now. There is nothing in this world that can change it’ he answered firmly.
Amundsen drew back in anger but recollected quickly, a deep frown touching his alien figure.
‘Defeat is certain for him who has neglected to take the necessary precautions in time. This, my boy, is called bad luck!’
Everything that Amundsen uttered was in vain. Scott’s eyes reflected only one thing: deep infinite ice, a flower of death that grew merciless on the top of a rounded Earth. An open skull. His face grew whiter. Breath rolled from his mouth in short frosted puffs even though the room was overheated.
‘Niflheimr’ Amundsen muttered.
A gurgling voice echoed coming from the hall.
‘Amundsen, Scott, are you up?’ Another man came in the room. He looked tired but there was something youthful in his looks. ‘Come along, I’ve made you a nice hoosh, the nicest you have ever tasted!’
Neither Scott nor Amundsen answered. The man rejoiced.
‘The grub is ready! Amundsen, wake up! Pemmican, biscuits and water!’
Painful reality.
‘Good morning Shackleton!’ Amundsen kept quiet.
‘It’s noon already Scott. You must have passed out again because of the cold in your gory room. I told you to turn the heating on. You’re going to freeze to death. Look at you! Aren’t you cold? Put some clothes on you!’ Shackleton halted observing that the man standing in front of him changed in colour.
For the first time since he got up, Scott noticed that he had only a pair of short trousers on. The cold did not disturb him at all. He resembled an alabaster statue standing in the middle of a borderless white. A woeful lunatic giving of an odour of wax and rosewood, a faint odour of wetted ashes. His face loomed with curious spectral whiteness as if suddenly remembered in a dream.
‘He suffers from GPI’ Amundsen said.
‘You’ve got a letter from that girl…eh, what was her name, yes…Emily.’ Shackleton took out a pink envelope from his pocket. ‘It looks like an invitation to a party. You should go! You’ve got to get out of this hall. Polheim is a vast labyrinth.’
‘You know I can’t go, I have other important matters to attend. I must reach the South Pole.’
Amundsen intervened screaming like a choked cat.
‘General paralysis of the insane!’
Thoughts beset Scott’s brooding brain. Deep down, he knew everything was made to change his mind: the delicious hoosh, the invitation to that party, Amundsen talking angrily about that Niflheimr rubbish. But his eyes looked other ways. The hundred headed whiteness seduced him. A white dessert framed his horizon, the sun low in the sky. Bitter cold and a skua flying in circles. The british flag floating like a falcon over the icy ground. He was trapped. The skull flower grew like a plague. It conquered muscles, fibres, cells. He had no other ideas but one.
‘What about the South Pole, hm? What about the South Pole, Amundsen? Have you been there?’ Shackleton asked.
Amundsen grew pale. Yellow teeth crept on his thin lips in a vampire gesture of anger. To ask him about the South Pole was similar to asking a poet what he meant in a certain poem. Words came out with a threatening fist.
‘Niflheimr’ he stopped, eating his breath. ‘How dare you?’ he turned swiftly towards Scott, ‘want to know my opinion about it? Niflheimr will eat you like a wolf. You’ll come back to Polheim dead. If you ever come back!’ A large grim smile appeared on his face. ‘Go. Please! You have my approval!’
A speck of eager fire from the pair of basilisk eyes thanked him.
This is what he waited, an approval. The hall had a precise end: hundred headed whiteness and a colourful stain: the British flag. All doors were closed. He took up that particular idea. Made that idea his life – thought of it, dreamt of it, lived on it. Let the brain, muscles, nerves, every part of his body breathe that idea. He looked in Shackleton’s eyes and found sympathy, same thirsty whiteness.
‘Then I must leave’ he thought ‘fresh air helps memory.’
He went to the door firmly.
‘What do you think you’re doing?’ Shackleton asked.
Scott did not turn. His back looked like an engraving of Trojan wars.
‘I’m just going outside and may be some time…’
‘We won’t disturb you mug! Hear me! You bet on it! Niflheimr will swallow you like a whale. You shall hear Heimdall blow his large bassoon! It is then when you’ll say good God, this is a terrible place!’ Amundsen shrieked and stopped like a tired dog. His vacant face stared pityingly over the ghost that went out of the room and limped down the hall.
The alabaster hall was still and empty. Scott walked slowly with heavy steps. He could still hear Amundsen swearing and Shackleton trying to calm him down.
The cold domed room waited in silence like a dying cat. Scott looked back at the long hall. Sodom, Gomorrah, Edom…But his den seemed different this time. It seemed like the cold had altered in a strange way its dimensions of time and space. Two lines crossed each other: an undersized space of time through undersized times of space. The satin ceiling lowered and the opened window seemed an open mouth. Mouth of cold. Hungry. Dry mouth. Ready to swallow whatever came in its way. The bed, an icebreaker that ate the floor. The blanket, a mother’s breast. Outside, the wind roared into the air like a thousand voices under the window pan.
A drop of sweat drew a line over his nose. With trembling hands he tried to wipe it but his fingers were numb. He did not know whether his fingers were cold as ice or his forehead. Looked down at his feet. Blue plated feet. Sweat trickled down his sternum and spine. Tried to move but his muscles tightened in a pre-shivering muscle tone. Hands and feet began to ache with cold.
‘It’s now or never’ he thought.
The rafter lowered radically in a gesture of attack and the floor contracted like moving sands. Wind roared again. Airs romped around him, nipping and eager airs. Snow fell like a curtain over the immense stage of the horizon, darkening it. Rising. Flowing. Scott stepped forward with pain.
‘Great god!’ he muttered ‘this is an awful place!’
The hundred headed whiteness spread like a plague. The sky was nowhere. It was like the sun sunk deep in the earth. Deeply deep. The white sunken cunt of the world. Wind roared like a fog horn. Gut piercing cold. He was now trembling violently as his body attained its maximum shivering response: an involuntary condition in which the muscles contract rapidly to generate additional body heat.
But where was the skua? He could at least have the skua.
The snowfall became heavier, but it was not snow, it was time itself falling from the sky in a Lucifer-like fall. It was impossible to look into the future. A blind flight.
‘Good God! Where am I?’
Amnesia. Apathy. Stupor. A toothless terror. Desolation. White horror seared his flesh. Felt a powerful urge to urinate. The only thing he felt at all.
‘I told you Niflheimr shall eat you alive!’
Two shadows appeared from the snow. One of them came closer, so close that Scott could feel its breath steaming his eyes. The other shadow remained like a statue.
‘You were not ready’ said the first shadow ‘this was the worst journey in the world’, it paused, ‘polar exploration is at once the cleanest and most isolated way of having a bad time.’
The snow contracted catching the two shadows under its folds. Wind roared with rage.
Torpor.
Air suddenly turned his other cheek. It got warmer by the second though the snow came in waves as Scott struggled for a surface fight. It was like somebody poured hot wine into his veins.
Suffocating heat.
Scott pulled his cap off, and then his coat, sweater. Naked from the waist up. A woeful lunatic giving of an odour of wax and rosewood, a faint odour of wetted ashes. Shackleton and Amundsen.
Rococo clock packed in ice. Limbs cracking like the branches of an old tree. Ache.
The flag! He completely forgot about the British flag, his hands and feet numb.
‘It’s OK’ he thought, a thought that filled him with hope ‘I can still crawl!’
Covered himself with the flag and made two steps on his knees and elbows. Looked up as he felt the need to scream.
Thousand knives.
There it was: the Norwegian flag floated like a falcon over the icy ground.
He fell in a sudden pet.
Memories beset his brooding brain.
Snow, bitter death.
The white blanket of the bed surrounded his body like a cocoon.
The radio caterwauled in the alabaster room sounding like faraway shrieks into the dry sepulchre silence: ‘men wanted for hazardous journey, small wages, bitter cold, long moths of winter, constant danger, safe return doubtful, honour and recognition in case of success.’

Letter to an Absent Friend

I know you do not exist, but I have to tell you this. I’m sending you this letter because I do not know what else I should do. Because every morning I wake up with the thought that I have to send you this letter, that I have to use these words and tell you the things nesting into the folds of my brain. I’ve read hundreds of books about you and the way you lure people into liking you, loving you, and finally obsessing over you. One of those books specifically talked about the way in which you switch faces and genders because ultimately you do not have a face or a fixed gender. You are a man when somebody needs a man, and a woman when somebody needs one, or both, when, at night, you cajole whores into believing that you are their saviour and have come to redeem their promiscuous souls. Or when you wake up adolescents by knocking at their window twenty minutes to four, when sleep is the sweetest. It is when you take the appearance of an androgynous creature that you are most frightening. Painters have seen you a couple of times, I think, because there are many paintings in which I have seen your haunting figure. A man, yet a woman. A creature made out of muscles, yet bearing the softness and the vices female beauty provokes into innocent meat. Each time you come with such cherubic temptation, your words honeyed, mellifluous voice, and I cannot keep you away from me because only the thought of you makes me riant. You are breathtakingly beautiful because you display the beauty that I have never seen, embody the things that I will never have, and at first I did believe you when you said you were a part of another world. This world could not have fashioned a thing like you. But then I thought you were a thing of this world because I’ve seen you change faces, manipulate boys and girls into making love to you. I’ve seen the kisses your lips have recorded along the way, smelled all the smells that have crept into your skin until now, saw the flickering images on your retina, felt the vibrating passion in your words. I’ve realised yesterday that you have your own world and I will never be a part of it. Your world is made out of sleepless nights and dreams dreamt with the loudness of music, colourful dresses and black suits, distant smiles received from unknown people and Beauty sitting at the next table smoking. You live in places where true beauty comes out to play. You said I should come with you, visit the others, see the world, send distant smiles. But I cannot be a part of your world, you see, that’s not my thing. I do not have the words you have because I have nothing to talk about except those awfully real things like the uncomfortable chair and the possibly unwashed mug. I do not need your mercy, I can do it by myself. So do stay away from me! Still, you come with such angelic temptation, honeyed words and mellifluous voice…

A. S. Byatt and the Elemental Storyteller

Stories or narratives – as they are frequently called – have been shared in every culture and in each land as a means of amusement, cultural edification, continuation of civilization and last but not least to instil moral principles. As long as humanity has had language as a means of communication storytelling has existed. Oral storytelling was used as a way of passing on culture, knowledge and wisdom from a generation to the other, to educate the younger members of the society, to entertain and to explain more or less the world around them. Consequently, most of the stories were allegories of the human kind and their struggle for continuation, their adventures and findings, in other words their metaphorical travel between cradle and grave. Each of these stories inculcated in the younger members of the society a sort of respect for the positive aspects of the world, for their origins, for their way of living and for their customs. In fact, human beings have always had the tendency to construct narratives for themselves and that is the thread we follow from one day to the other. People who crumble as personalities are those individuals who lost that string. Man is without doubt a storyteller. His continuous search for a purpose in life, a cause, an ideal, is the struggle in finding a plot and an outline in the progress of his existence, his life story, a story which is without pattern and meaning.

However, as time passed, the evolution of technology has changed the apparatuses available to storytellers, and stories gained a more aesthetic value as partially different from the ethical value. With the dawns of writing, the use of symbols to represent language stories started to be transcribed…read more.

Qualia, othering, and Daphne Marlatt

Subjectivity has often been defined as a judgment which is based on individual and personal impressions rather than external facts. Despite the fact that it is terminologically difficult if not impossible to make a clear cut distinction between what we call subjective and objective one is bound to characterize such matters like scientific evidence, statistics and modes of measurement as being apriorically purged of any emotional, impressionistic influence. Hence, in the situation in which an apple falls down from a tree one is objective if (s)he shall take into consideration the speed with which it fell down, the size of the apple, color and maybe the effects of the impact. Contrariwise, if one says the apple fell beautifully such annotations are considered subjective. It was mainly phenomenology…read more.